Klavier Gavin is a veteran prosecutor, and the younger brother of Apollo Justice's former mentor, Kristoph Gavin. Mary Norton’s 1952 classic The Borrowers is one of the most oft-adapted children’s books of the 20th century, with feature-length renditions from the likes of such directors as Walter C. Miller, Peter Hewitt and Richard Carpenter. Belladonna is extreme in every sense of the word: Start with the look—the film consists almost entirely of pans across still watercolor paintings, with occasional expressive bursts of color and movement scattered throughout. After all, anime features that depict Christmas as something more than a backdrop are few and far between, especially one that offers such an inspired modern take on the Three Wise Men and the birth of the Christ. A story about what it means to craft one’s self in the digital age, a time where the concept of truth feels as mercurial as the net is vast and infinite. Set during the Tokugawa era of Japan, Ninja Scroll follows the story of Jubei Kibagami, an itinerant samurai warrior (partly inspired by the real-life folk hero, Jubei Yagyu) who is recruited by a government agent to defeat the Eight Devils of Kimon, a cabal of demonic ninja who conspire to overthrow the Tokugawa regime and plunge Japan into destruction. This adolescent quest soon escalates into a dramatic international conflict involving parallel dimensions, false realities and experimental technology. Reportedly costing $4 million to produce, Interstella 5555 transformed an album that many thought to be absent of any hint of story and transformed into a grandiose EDM space opera rock odyssey centered on the perilous kidnapping and subsequent rescue of a blue-skinned alien rock band from the nefarious clutches of a label executive bent on galactic domination. In many ways it is typical of its time, in terms of character design, themes and the plot device of a band of humans on the run from an alien menace. 𝄢 Welcome to Hibike! One persistent theme across all of Studio Ghibli’s work, in particular Miyazaki’s, is that there rarely are any true villains. The film’s titular castle is one of Miyazaki’s finest creations, resembling a bow-legged fish armed with stumpy wings and turrets hobbling across the countryside and shuffling debris to and fro. To describe the sum of their tragedies as “horrifying” feels like a gross understatement. More than just a serendipitous alignment of two immensely creative forces, Interstella 5555 surpasses the limitations of having no spoken dialogue to become a fascinating allegory for the appropriation of talent and the predatory machinations of the entertainment industry. While the series’ first film, Only You, is a fairly typical fantasy romance-romp that plays close to the formulaic familiarity of the series, Beautiful Dreamer was a far more experimental and ultimately divisive film among the series’ fanbase and set Oshii on the path to become the director we know him as today. Still, for anyone looking to delve deeper into the Macross universe, Macross Plus still gives you exactly what Macross does so well—and this time, it’s official canon. Adapted from Yoshikazu Takeuchi’s 1991 novel, Satoshi Kon’s feature debut follows Mima Kirigoe, a singer who retires from the pop-idol trio that gained her fame to pursue a career as an actress. All rights reserved. As with all of the best Gundam tales, Tomino approaches the story from a hard sci-fi point of view, clearly laying out the science behind things like giant mobile suits and “newtypes” (humans that have evolved to acquire psychic abilities). As a payoff to the TV series, it’s a great way to visit with the Gundam pilots one last time, and as a stand alone, it works well enough that even if one is not familiar with the source material, it’s a fun ride. DVD magazine issues, they were then collected into one release titled Deep Imagination. contrapposto 16055? The crowning jewels of the collection however are Masaaki Yuasa’s “Happy Machine” and Shinichiro Watanabe’s “Baby Blue,” which each exemplify the best defining talents of their respective creators. Exploring concepts like class struggle, immortality and what it really means to be human, Galaxy Express 999 is a heady piece of work. The film follows the stories of Kaneda Shotaro and Tetsuo Shima, two members of a youth motorcycle gang whose lives are irrevocably changed one fateful night on the outskirts of the city. It only gets weirder from there. The feminist subtext of the film is very much foregrounded—clearly Jeanne is an avatar for Jeanne D’Arc (Joan of Arc), and there are also direct links in one scene between Jeanne and Marianne, the female personification of the French Republic—and despite the darkness Jeanne wallows in and the horrors she is subjected to, this is a film worth experiencing, mostly because there has really been nothing like it either before or since. Yes, you read that right. Eventually the journeys of these two childhood friends will meet and clash in a spectacular series of showdowns encircling an ominous secret whose very origins rest at the dark heart of the city’s catastrophic past: a power known only as “Akira.”. Adapted from Masamune Shirow’s original 1989 manga, the film is set in the mid-21st century, a world populated by cyborgs in artificial prosthetic bodies, in the fictional Japanese metropolis of Niihama. These vignettes cover everything from how Takashi and Matsuko (the parents at the center of many of the tales) met, to family arguments over who has control of the TV remote, to grandmother Shige’s advice and proverbs told to the family. Summer Wars is pretty much a beat-for-beat remake of Hosoda’s previous work on the second Digimon film, Our War Game, released in 2000. It’s an exhilarating, heartbreaking and colossal film whose message will leave audiences changed by its final scene. An avowed cinephile, the most visible influences for Kon’s work on Perfect Blue are unmistakably that of Alfred Hitchcock’s Psycho and Jonathan Demme’s The Silence of the Lambs. Macross II is an unconventional “sequel” in that it’s structured similarly to the original show—an overall threat, a love triangle, a famous pop idol—yet it remixes these elements in a strange but satisfying way. Winner of the prestigious Noburo Ofuji Award for Excellence and Innovation, The Restaurant of Many Orders is a beautiful parting gift from one of the most undersung innovators of Japanese animation. Char’s Counterattack attempts this as well, yet it’s mostly concerned with wrapping up the rivalry between Amuro and Char—and on that note, it succeeds wildly. What does it mean to be happy? Featuring gorgeous, tense fight sequences set in space, an excellent soundtrack by Shigeaki Saegusa, and some of the most lauded Gundam designs in the history of the franchise, the film is inarguably one of the high points of the Gundam Universe. It’s typical Studio Ghibli fare, with impeccably rendered matte backgrounds, empathetic characters, a great score, and all of the requisite high-profile voice performances that befit a Disney-licensed production. A third, confusingly entitled “Comedy” by Studio 4C, is a dark, gothic tale verging on horror that concerns a young girl, a master swordsman, and the Irish War of Independence. The film is premium cyberpunk material, with sprawling cityscapes, homicidal cyborg junkies, brooding bounty-hunters, and an enormous megacity hanging above the mainland separating the haves from the have-nots. The story revolves around an attack by a separatist group, the Crossbone Vanguard, against the unsuspecting earth colonies after years of peace. All the talent arrayed in the creation of Roujin-Z help make it one of the most singular animated comedies ever made. By day Atsuko maintains an unremittingly cold exterior, but by night she moonlights as the film’s titular protagonist: a vivacious dream detective who consults clients on her own terms. floating hair 45001? Anime, despite being one of the now-most ubiquitous cultural properties of the 21st century, is especially difficult to define, owed to over a century’s worth of the medium’s evolution and reinvention. The story is set in Belgium, and is episodic in nature—mostly concerning Nello’s struggles to rise above the poverty into which he was born, and his persecution by an upper-class member of his village, who wrongly accuses Nello of a terrible crime. K-on! With the exception of portraying the main characters as anthropomorphic cats instead of human children, Sugii’s film is a exhaustive tribute to Miyazawa’s legacy, going so far as to incorporate the auxiliary language Esperanto (one of the author’s many passions) throughout the film’s signage and intertitles. The final two episodes of Neon Genesis Evangelion are notorious among fans of the series.Titled “Do you love me?” and “Take Care of Yourself,” the two-part finale infamously sidelined the climactic finale to the series’ central conflict, instead opting to take place entirely away from the action within the subconscious of the show’s protagonist, Shinji Ikari, as he wrestled to resolve the self-loathing and hatred which plagued him throughout the story’s duration. If you’re an anime fan and have never watched the original Neon Genesis Evangelion, you are likely no more than three degrees separated from someone who has a passionate opinion about it, effusive or otherwise. And will the Major ever truly return? See more ideas about episode backgrounds, episode interactive backgrounds, anime background. More grounded than a fantasy about a pig man would suggest, Porco Rosso nevertheless reaches heights that will leave any anime fan breathless—and does it in style. Tekkonkinkreet is a complicated and compelling story of love and friendship amid a constantly crumbling and reshaping world that feels intimately tied to the communities through which it was inspired. —J.D. Produced almost entirely by Shinkai himself with music composed and performed by long-time friend and collaborator Tenmo, Voices of a Distant Star hones in on the themes of time, space and distance, and how they impact the fragility of human relationships in a way that few other works can, securing Shinkai’s status as one of anime’s premier auteur directors. After wrapping production on Akira in 1988, Katsuhiro Otomo returned in 1995 to helm his third anthology collection of short films, titled Memories. Widely considered the best film in the Gundam franchise, Char’s Counterattack is most successful at wrapping up the 14-year rivalry between the “hero” of the Earth Federation, Amuro Ray, and the leader of Neo-Zeon, Char Aznable. Blood was a proving ground of sorts for many of those involved, among them Kenji Kamiyama, a young screenwriter and background artist who would eventually go on to direct the television series adaptation of Masamune Shirow’s Ghost in the Shell. The film garnered the praise of directors such as James Cameron and the Wachowski siblings (whose late-century cyberpunk classic The Matrix is philosophically indebted to the trail blazed by Oshii’s precedent). Comprising five animated shorts originally released as a part of Grasshoppa! Hibike! One of the first “adult-themed” anime to come across the pond and end up at places like Blockbuster—for you younger readers, that was Netflix before Netflix—it was pretty much required viewing by any budding anime fan. To be sure, though its finale is a bit muted and the abrupt resolution of a love story in the movie’s denouement is a bit too neat and tidy, the film is a quintessential Miyazaki effort nonetheless that’s sure to please both newcomers and enthusiasts who might have somehow not seen it yet. The Animatrix is, without a doubt, the best thing to come out of the Matrix franchise since the original movie. On paper, this all seems fairly dire, but all of these events are underplayed and lightened by several adorable side characters, from a rogues gallery of mischievous septuagenarian hackers, to Kiyuro’s devoted human nurse, Nobuko. —J.D. Though ostensibly a film about inherent toxicity of pop culture in manufacturing idols with same infatuation as it would destroy them, Kon was by and large unconcerned with the surface reading of his work. Despite this, it somehow also feels like quintessential Takahata. Akira is a film of many messages, the least of which a coded anti-nuclear parable and a screed against wanton capitalism and the hubris of “progress.” But perhaps most poignantly, at its heart, it is the story of watching your best friend turn into a monster. Produced during the boom of anime’s foreign markets, Ninja Scroll was one of the first titles released by Manga Entertainment in the West. The film is a story of independence, positivity and the font of inner strength that compels every young person to go out into the world and build a life for his or herself. as parallel world stories, setting the stage for Macross Plus as the first “true” sequel to the popular original. Whether you find it slow-moving or delightfully sedate, the visuals will captivate. But above all else it was a master course in cinematic evocation, channeling the ineffable cool of turn-of-the-century jazz, rock ’n’ roll, and film noir and transforming it into something that was unlike anything that had come before or since.
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